Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
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© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
40675 Members
We'll be adding more communities soon!
© 2020 Relevant Protocols Inc.
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>"A land-art installation that allows just six visitors a day simultaneously protects the artist’s vision and re-creates the art world’s penchant for exclusion."
>"A land-art installation that allows just six visitors a day simultaneously protects the artist’s vision and re-creates the art world’s penchant for exclusion."
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"A pandemic while we’re in a global culture and information war wasn’t the scenario I was hoping for. It’s been a clear signal showing problematic global inequality, and our societies’ vulnerabilities to propaganda.  How easily divisive _...Read More_
"A pandemic while we’re in a global culture and information war wasn’t the scenario I was hoping for. It’s been a clear signal showing problematic global inequality, and our societies’ vulnerabilities to propaganda.  How easily divisive _...Read More_
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"These sewn-together body parts – dangling from the ceiling, hung out on stands or having sex in vitrines – were created in the final decades of the artist’s long career. They are provocative, scary and marvellous"
"These sewn-together body parts – dangling from the ceiling, hung out on stands or having sex in vitrines – were created in the final decades of the artist’s long career. They are provocative, scary and marvellous"
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"On the demolition of our safe space"
"On the demolition of our safe space"
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"Ulysses Jenkins, writing on his approach to art-making in the memoir Doggerel Life, states that: Those familiar with the ancients have all recognized and resonated as artists to the role of the shaman. Through those ancestral references, I _...Read More_
"Ulysses Jenkins, writing on his approach to art-making in the memoir Doggerel Life, states that: Those familiar with the ancients have all recognized and resonated as artists to the role of the shaman. Through those ancestral references, I _...Read More_
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It’s a fascinating insight into the way in which she collaborates with her usual assistants, three of whom who are hard at work _...Read More_
It’s a fascinating insight into the way in which she collaborates with her usual assistants, three of whom who are hard at work _...Read More_
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>"When Lydia Ourahmane places the Kunsthalle Basel in limbo"For her first exhibition at the Kunsthalle Basel, Lydia Ourahmane (Saïda, DZ – 1992) presents the newly commissioned _...Read More_
>"When Lydia Ourahmane places the Kunsthalle Basel in limbo"For her first exhibition at the Kunsthalle Basel, Lydia Ourahmane (Saïda, DZ – 1992) presents the newly commissioned _...Read More_
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12.5
>"Installation art urged a deeper physical relationship with the material world, but also an awareness of the historical and cultural associations that places and _...Read More_
>"Installation art urged a deeper physical relationship with the material world, but also an awareness of the historical and cultural associations that places and _...Read More_
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Pretty interesting take on mixed uses of mediums, Jean has been a favorite of mine for a while and i think it's so interesting how he has been lately transforming his 2D work into 3D sculptures, the world needs more of this type of work imo
Pretty interesting take on mixed uses of mediums, Jean has been a favorite of mine for a while and i think it's so interesting how he has been lately transforming his 2D work into 3D sculptures, the world needs more of this type of work imo