“We need to view space and space travel not in consumerist terms and for the sole purpose of the expansion of our species to other corners of the solar system and beyond, but the expansion of our understanding of what it means to occupy our _...Read More_
“We need to view space and space travel not in consumerist terms and for the sole purpose of the expansion of our species to other corners of the solar system and beyond, but the expansion of our understanding of what it means to occupy our _...Read More_
These are times of post-truth, alternative facts and truthiness: at times it seems we are becoming fluent in Newspeak. But even as we have come to adapt to a more flexible view of reality, integrity, sincerity, truthfulness and authenticity _...Read More_
These are times of post-truth, alternative facts and truthiness: at times it seems we are becoming fluent in Newspeak. But even as we have come to adapt to a more flexible view of reality, integrity, sincerity, truthfulness and authenticity _...Read More_
"If Kids meditated on mortality (its main protagonist was unknowingly afflicted with HIV), Spring Breakers offers a vision of life after death – sparkling, choreographed, crazed, _...Read More_
"If Kids meditated on mortality (its main protagonist was unknowingly afflicted with HIV), Spring Breakers offers a vision of life after death – sparkling, choreographed, crazed, _...Read More_
Artist, writer and curator Seet Yun Teng speaks to artist Lito Kattou about alternative futures, posthuman bodies and metamorphoses in an age of environmental _...Read More_
Artist, writer and curator Seet Yun Teng speaks to artist Lito Kattou about alternative futures, posthuman bodies and metamorphoses in an age of environmental _...Read More_
"HOW MANY OF US, when we speak with our parents, feel like stock characters, as though we were simulations of ourselves? In The Worm, 2021, the centerpiece of “Get Life/Love’s Work,” his recent show at the New Museum in New York, the _...Read More_
"HOW MANY OF US, when we speak with our parents, feel like stock characters, as though we were simulations of ourselves? In The Worm, 2021, the centerpiece of “Get Life/Love’s Work,” his recent show at the New Museum in New York, the _...Read More_
After the meteoric rise of blockchain-based cryptocurrencies at the end of 2020, many digital artists operating outside the realm of ‘mainstream’ contemporary art rushed to embrace nonfungible tokens, or NFTs, as a means of selling their _...Read More_
After the meteoric rise of blockchain-based cryptocurrencies at the end of 2020, many digital artists operating outside the realm of ‘mainstream’ contemporary art rushed to embrace nonfungible tokens, or NFTs, as a means of selling their _...Read More_
"From December 5th on, LAS will present Light and Space (Kraftwerk Berlin), a major site-specific installation at Kraftwerk Berlin by pioneering American artist Robert Irwin (b. 1928, Long Beach). Commissioned by LAS, the installation will _...Read More_
"From December 5th on, LAS will present Light and Space (Kraftwerk Berlin), a major site-specific installation at Kraftwerk Berlin by pioneering American artist Robert Irwin (b. 1928, Long Beach). Commissioned by LAS, the installation will _...Read More_
>"The duo maintains digital fashion can compete with physical fashion for the same reasons—newness, innovation, and accessibility—creating the same desirability. Naturally exclusive and limited in number of copies— DRESSX designers _...Read More_
>"The duo maintains digital fashion can compete with physical fashion for the same reasons—newness, innovation, and accessibility—creating the same desirability. Naturally exclusive and limited in number of copies— DRESSX designers _...Read More_
"The detail that struck me regarding Robert Irwin’s wall-sized installation wasn’t, at first, the titular light, but the repeated pattern of fuzzy voids: grey amoebas, where the metal ends of tube-shaped bulbs cap the flow of brilliance. _...Read More_
"The detail that struck me regarding Robert Irwin’s wall-sized installation wasn’t, at first, the titular light, but the repeated pattern of fuzzy voids: grey amoebas, where the metal ends of tube-shaped bulbs cap the flow of brilliance. _...Read More_
Co-Editor of Issue 4, Jing Yi Teo, takes us through so-far's first crypto conference, ruminating on the importance of soul, art and history in the space of Web 3.0
Co-Editor of Issue 4, Jing Yi Teo, takes us through so-far's first crypto conference, ruminating on the importance of soul, art and history in the space of Web 3.0
After weeks of fresh immersion in web3(ish) spaces, Venkatesh Rao distills one of the most workable and actionable mental models of NFTs out there. Delightful read.
“Unlike dubious architecture diagrams for unwritten software, grant _...Read More_
After weeks of fresh immersion in web3(ish) spaces, Venkatesh Rao distills one of the most workable and actionable mental models of NFTs out there. Delightful read.
“Unlike dubious architecture diagrams for unwritten software, grant _...Read More_
>"From his fortress of irony, designer Virgil Abloh is set on turning fashion into the industrial arm of the art world. For 032c Issue 32, Abloh explains how streetwear is not just a fad, but a logic inspired by Dada and destined to _...Read More_
>"From his fortress of irony, designer Virgil Abloh is set on turning fashion into the industrial arm of the art world. For 032c Issue 32, Abloh explains how streetwear is not just a fad, but a logic inspired by Dada and destined to _...Read More_