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>"“If today’s arts love the machine, technology, and organization, if they aspire to precision and reject anything vague and dreamy, this implies an instinctive repudiation of chaos and a longing to find the form appropriate of our _...Read More_
J
>"“If today’s arts love the machine, technology, and organization, if they aspire to precision and reject anything vague and dreamy, this implies an instinctive repudiation of chaos and a longing to find the form appropriate of our _...Read More_
"The donation, de Medici told ARTnews in a recent interview, was motivated by a desire to start a new movement at LACMA, akin to the effect that William Randolph Hearst had when his donation of hundreds of artworks essentially converted _...Read More_
"The donation, de Medici told ARTnews in a recent interview, was motivated by a desire to start a new movement at LACMA, akin to the effect that William Randolph Hearst had when his donation of hundreds of artworks essentially converted _...Read More_
"A few years ago, Non-Fungible Tokens (NFTs) took venerable auction houses, museums, fairs and other major players of the art world by storm. Many mainstream art magazines hailed NFTs not only as a “great investment”, but also as a godsend _...Read More_
"A few years ago, Non-Fungible Tokens (NFTs) took venerable auction houses, museums, fairs and other major players of the art world by storm. Many mainstream art magazines hailed NFTs not only as a “great investment”, but also as a godsend _...Read More_
"John Benton argues that media on the blockchain includes more than static, unchanging files by exploring different types of dynamic NFTs and how to make them."
"John Benton argues that media on the blockchain includes more than static, unchanging files by exploring different types of dynamic NFTs and how to make them."
"Accordingly, af Klint’s paintings from the series were never intended to be sold, and the physical versions of the works never will be. They are held, instead, in the care of the Hilma af Klint Foundation, a nonprofit based in Sweden."
"Accordingly, af Klint’s paintings from the series were never intended to be sold, and the physical versions of the works never will be. They are held, instead, in the care of the Hilma af Klint Foundation, a nonprofit based in Sweden."