"Two Just Stop Oil protesters who threw cake at a waxwork of King Charles in October have been ordered to pay £3,500 in compensation to Madame Tussauds."
"Two Just Stop Oil protesters who threw cake at a waxwork of King Charles in October have been ordered to pay £3,500 in compensation to Madame Tussauds."
"Alex Estorick: You’ve both been heavily involved with the NFT community over the past year, so I’d like to start with some reflections. If 2021 was the year of the NFT explosion, what was 2022 the year of?"
"Alex Estorick: You’ve both been heavily involved with the NFT community over the past year, so I’d like to start with some reflections. If 2021 was the year of the NFT explosion, what was 2022 the year of?"
"A slab of pink stands on a shimmering gold base, its surface iced with globules of a glossy blue substance the colour of bubblegum and the look of buttercream. Nearby is a collection of smaller forms, all also brightly daubed like cakey _...Read More_
"A slab of pink stands on a shimmering gold base, its surface iced with globules of a glossy blue substance the colour of bubblegum and the look of buttercream. Nearby is a collection of smaller forms, all also brightly daubed like cakey _...Read More_
>"Nothing, Forever, generated by AI tech DALL-E and Chat GPT, is like Seinfeld, There’s always something to watch on Twitch, whether that’s your fave musicians talking about video games or your fave streamers discussing politics. Now _...Read More_
>"Nothing, Forever, generated by AI tech DALL-E and Chat GPT, is like Seinfeld, There’s always something to watch on Twitch, whether that’s your fave musicians talking about video games or your fave streamers discussing politics. Now _...Read More_
"Over the past fifteen years, Will Benedict (*1978) has built up a body of work that acts as both fable and mirror for the universal ambiguities and conditions of human life. Working across media from painting to video, his practice might _...Read More_
"Over the past fifteen years, Will Benedict (*1978) has built up a body of work that acts as both fable and mirror for the universal ambiguities and conditions of human life. Working across media from painting to video, his practice might _...Read More_
"Forget Y2K, the 2010s are back – at least until the nostalgia-fueled trend cycle’s next turn. But retromania leads us down into a labyrinth of data horror, writes Adina Glickstein in her February _...Read More_
"Forget Y2K, the 2010s are back – at least until the nostalgia-fueled trend cycle’s next turn. But retromania leads us down into a labyrinth of data horror, writes Adina Glickstein in her February _...Read More_