"Given the prevailing trend of infographics—think Hank Willis Thomas’s chart Colonialism and Abstract Art, 2020, a reimagining of Alfred H. Barr’s diagram for his 1936 exhibition “Cubism and Abstract Art,” or Dylan Louis Monroe’s ongoing QAnon-adjacent Deep State Mapping Project, 2017—it seems about time to scrutinize how texts and schematics proposing networks of connection and scattered over pages and screens, or even painted on cans of vegetables, became the look of the zeitgeist.The group exhibition here, “Wrecked Alphabet,” crams a whirlwind of propositions into a small parlor floor of an"