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Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
40675 Members
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© 2020 Relevant Protocols Inc.
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BRICK AND VOXEL: EXHIBITING NFTS, PART TWO By Brian Droitcour The approaches to online exhibitions of NFTs have been more varied than presentations in galleries or on decentralized apps. Maybe it’s because conforming to expectations of physical space—or strict simulations of it in the blockchain-based metaverse—limits the imagination. Or maybe it’s because the artists and organizations who create online exhibitions have a deeper engagement with digital art, whereas the entities working in galleries and decentralized apps have come to it fairly recently, driven by commercial motivations. As the novelty of NFTs wears off, shows will need more than claims of “first” to attract attention. Perhaps that will lead to more sophisticated and innovative approaches to exhibition design.
BRICK AND VOXEL: EXHIBITING NFTS, PART TWO By Brian Droitcour The approaches to online exhibitions of NFTs have been more varied than presentations in galleries or on decentralized apps. Maybe it’s because conforming to expectations of physical space—or strict simulations of it in the blockchain-based metaverse—limits the imagination. Or maybe it’s because the artists and organizations who create online exhibitions have a deeper engagement with digital art, whereas the entities working in galleries and decentralized apps have come to it fairly recently, driven by commercial motivations. As the novelty of NFTs wears off, shows will need more than claims of “first” to attract attention. Perhaps that will lead to more sophisticated and innovative approaches to exhibition design.
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