"The roots of the current controversy about antisemitic imagery found in some artworks exhibited in documenta fifteen need to be linked to Ruangrupa’s curatorial methodology for the exhibition, a product of European funding for global south art and the European plans for decentralized and outsourced cultural production envisioned as far back as 2006.[1] Did the removed artworks by Taring Padi include antisemitic images? Of course, yes! Those who are arguing otherwise by pointing to contextual differences between where these images were produced and shown originally versus the present political frame in Germany are only embarrassing themselves."