Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
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© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
40678 Members
We'll be adding more communities soon!
© 2020 Relevant Protocols Inc.
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"Andrew Grassie’s meticulously detailed egg tempera paintings shape the observer’s experience of looking and interpreting images. His latest group of paintings are informed by repeated visits to the Scottish Highlands over the last two years, specifically to the fabled area around Loch Ness and nocturnal walks within the area. His observations capture the placid waters, outbuildings and forests around the loch and are imbued with the intricacies of solitude found in city architecture as experienced under pools of artificial light. Working in a deceptively monochromatic palette, Grassie overlays thinly applied veils of complementary colours to achieve a close tonal range that floats between the sensation of day and night, inside and outside – illuminating and obscuring from within. His tightly framed compositions confuse an easily recognized sense of perception, time, and location with a desire to question the reliability of living memory and the readability of the repurposed image."
"Andrew Grassie’s meticulously detailed egg tempera paintings shape the observer’s experience of looking and interpreting images. His latest group of paintings are informed by repeated visits to the Scottish Highlands over the last two years, specifically to the fabled area around Loch Ness and nocturnal walks within the area. His observations capture the placid waters, outbuildings and forests around the loch and are imbued with the intricacies of solitude found in city architecture as experienced under pools of artificial light. Working in a deceptively monochromatic palette, Grassie overlays thinly applied veils of complementary colours to achieve a close tonal range that floats between the sensation of day and night, inside and outside – illuminating and obscuring from within. His tightly framed compositions confuse an easily recognized sense of perception, time, and location with a desire to question the reliability of living memory and the readability of the repurposed image."
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