"Most people I know think “Post-Internet” is embarrassing to say out loud.1 But so is most of the language that’s used to write about contemporary art, and “Post-Internet” does the job of artspeak so efficiently that people keep saying it, embarrassment be damned. The “Post-” part conjures an aura of historical significance, the mantle of the avant-garde; “Internet” supplies social relevance. Together they lacquer art with an intellectual finish as thin as it is opaque."