Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
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© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
40681 Members
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© 2020 Relevant Protocols Inc.
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"There are increasingly vociferous protests from women artists that things are neither fair nor square. Much of this feeling came into focus during last spring’s Art Strike [see A.n. Sept. ’70], one of whose four “againsts” was sexism (the other three: war, racism and repression). Necessarily a fringe issue at the time of Cambodia, Kent State and Jackson, the situation of the woman artist is now becoming a cause célèbre. This has developed mainly through the efforts of a relatively small number of politically active art-world women—artists, critics, others—many of whom have been active in Art Workers Coalition and the Strike."
"There are increasingly vociferous protests from women artists that things are neither fair nor square. Much of this feeling came into focus during last spring’s Art Strike [see A.n. Sept. ’70], one of whose four “againsts” was sexism (the other three: war, racism and repression). Necessarily a fringe issue at the time of Cambodia, Kent State and Jackson, the situation of the woman artist is now becoming a cause célèbre. This has developed mainly through the efforts of a relatively small number of politically active art-world women—artists, critics, others—many of whom have been active in Art Workers Coalition and the Strike."
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