Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
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© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
40681 Members
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© 2020 Relevant Protocols Inc.
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"At a gallery dinner in Berlin a while back, the artist sitting next to me asked where I was from, originally. He was English and trying to place my accent, I think. ‘Oh, I’m from a shithole,’ I said, fondly remembering that small, rough-edged town in Yorkshire. ‘Everyone’s from a shithole,’ said the artist. But he was in his fifties and had no doubt benefitted from the same free higher education – a lifeline of sorts to relatively ambitious, misfit, non-monied, art-minded people from regional towns – that I had, that my parents had, but that vanished during the late 1990s and has become progressively the preserve of non-shithole people ever since. I didn’t ask, but that artist probably doesn’t teach, or spend much time around emerging artists."
"At a gallery dinner in Berlin a while back, the artist sitting next to me asked where I was from, originally. He was English and trying to place my accent, I think. ‘Oh, I’m from a shithole,’ I said, fondly remembering that small, rough-edged town in Yorkshire. ‘Everyone’s from a shithole,’ said the artist. But he was in his fifties and had no doubt benefitted from the same free higher education – a lifeline of sorts to relatively ambitious, misfit, non-monied, art-minded people from regional towns – that I had, that my parents had, but that vanished during the late 1990s and has become progressively the preserve of non-shithole people ever since. I didn’t ask, but that artist probably doesn’t teach, or spend much time around emerging artists."
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