“Ever wondered what the story of an elderly stargazer would sound like on a record? What it would sound like if you made a track triggered by random bumper cars on a fairground track? What the sound of an aura-inducing migraine is? If it’s possible to create an AI plug-in that sings for you? Or what would happen if you re-interpreted 1970s BBC synthesizer production with today’s production techniques? These are some of the remarkable projects being taken on by ambitious, focussed composers who have gone far beyond the traditional toolkit of orchestras, swells and arpeggios” Hannah Peel, Anna Meredith, Holly Herndon, Hinako Omori