>"“In the beginning, I wanted to do an album with the sounds of the 50s, the sounds of the 60s, of the 70s and then have a sound of the future. And I said: ‘Wait a second, I know the synthesiser — why don’t I use the synthesiser, which is the sound of the future?’ And I didn’t have any idea what to do, but I knew I needed a click. So we put a click on the 24 track which then was synched to the Moog modular. I knew that could be a sound of the future, but I didn't realise how much..."