>"by Kathrin Bentele   In the last year, as Zoom and online streaming have acutely erased distance at the cost of embodied encounter, we’ve become uncannily aware of the vast discontinuities in time and space that our global systems pass off as artificial simultaneity. These augmented (although not new) spatiotemporal perspectives are mobilized in the Berlin-based artist and filmmaker Loretta Fahrenholz’s new film, A Decade That Exploded (2012–21), which interrogates the post-cinematic vis-à-vis the passing of time and memory. The work, projected in a black box, also lends her solo show currently on view at Neuer Berliner Kunstverein its title.