A series of exhibitions centred around a reconceptualization of classical romanticism in the context of the digital. Romanticism, as a reaction to the age of enlightenment, advocated for a return to nature and the irrational. Perhaps digital romanticism can do the same, but with the tongue-in-cheek qualities so characteristic of internet culture, suffused with a macabre irony that circles back around to the gothic undercurrents of romanticism; the ‘weltschmerz’ as one witnesses a decaying world, the sublime beauty of apocalyptic destruction; the ‘sehnsucht,’ or the yearning for the safe past, running off on holidays that make us feel like nothing has changed. All of this alongside the knowledge that perhaps the original romanticists were indeed correct, and Frankenstein’s monster is tearing us apart.