A review of Womanifesto II on display recounts Ito's Me Being Me (1998/1999), a follow up to Self-Portrait performed two years later. As in 1997, she 'donned a transparent rubber outfit,' but this time 'performed "oral sex" on a rubber "vagina" hung from a tree'—'too graphic, too unsubtle,' critic Phatarawadee Phataranawik quips in her article 'Sister in Arms'. In another article by Phataranawik on view, titled 'Great Leap Forward', the subheading, 'understanding women is a difficult task, even for women themselves', shows how Womanifesto cultivated difference among women by provoking discussion.