>"It is not enough to rearrange the furniture in this current historical discursive home; freedom from this given domestic situation and the modes of domestication that conform to its logic, is dependent on the freedom to construct comparative fictions that serve as tools for building a new home from the foundation up, for new sites of positivity upon which thought and activity are based. The desire for betterment is itself entangled with fiction; since the better is always unactualized in the here and now, the better is not empirically available to direct experience. Accounting only for the here and now of what is given to localized experience and thinkability is to foreclose on the imaginative possibility of situated betterment. Betterment always belongs to an otherworld, another site, another situation, and it is through fiction where a counterfactual imagination of that possible world is enabled."

The episteme is less concerned with the history of knowledge, but rather with the field conditions that enable and shape knowledge in a specific way; as that which “determine[s] the rules of formation of concepts, theories, objects of study.”4 It is the site upon which knowledge is positively grounded, and one that lends underlying coherence to the identifiability of historical eras (like the Classical and Modern period).

>"It is not enough to rearrange the furniture in this current historical discursive home; freedom from this given domestic situation and the modes of domestication that conform to its logic, is dependent on the freedom to construct comparative fictions that serve as tools for building a new home from the foundation up, for new sites of positivity upon which thought and activity are based. The desire for betterment is itself entangled with fiction; since the better is always unactualized in the here and now, the better is not empirically available to direct experience. Accounting only for the here and now of what is given to localized experience and thinkability is to foreclose on the imaginative possibility of situated betterment. Betterment always belongs to an otherworld, another site, another situation, and it is through fiction where a counterfactual imagination of that possible world is enabled."