Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
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© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
40678 Members
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© 2020 Relevant Protocols Inc.
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Past events have shown us an urgency to reclaiming public space asking us to actively build it into what it actually is, a common space. The freshly decapitated symbols of supremacy might be new gathering spaces where renegotiations can happen. They could be nodes of change. >’Together, they contest, negotiate, and enact different ideas of what a common space could be—public space that belongs to everybody and to nobody. The open plinth is a collaborative and constantly mutating art of the commons that can grant some breathing room to reimagine the public sphere.’
Past events have shown us an urgency to reclaiming public space asking us to actively build it into what it actually is, a common space. The freshly decapitated symbols of supremacy might be new gathering spaces where renegotiations can happen. They could be nodes of change. >’Together, they contest, negotiate, and enact different ideas of what a common space could be—public space that belongs to everybody and to nobody. The open plinth is a collaborative and constantly mutating art of the commons that can grant some breathing room to reimagine the public sphere.’
"How do we deal with the unfinished business of the past? Cape Town has a surprisingly poetic answer."
"How do we deal with the unfinished business of the past? Cape Town has a surprisingly poetic answer."
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