Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
34813 Members
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We'll be adding more communities soon!
© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
34813 Members
See All
We'll be adding more communities soon!
© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
34813 Members
See All
We'll be adding more communities soon!
© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
34813 Members
See All
We'll be adding more communities soon!
© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
34813 Members
See All
We'll be adding more communities soon!
© 2020 Relevant Protocols Inc.
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>"Its owner, a nurse living on the Upper West Side, flagged a worker at the Metropolitan Museum’s information desk. “Listen, nobody calls me back. I _...Read More_
>"Its owner, a nurse living on the Upper West Side, flagged a worker at the Metropolitan Museum’s information desk. “Listen, nobody calls me back. I _...Read More_
>"Its owner, a nurse living on the Upper West Side, flagged a worker at the Metropolitan Museum’s information desk. “Listen, nobody calls me back. I _...Read More_
>"Its owner, a nurse living on the Upper West Side, flagged a worker at the Metropolitan Museum’s information desk. “Listen, nobody calls me back. I _...Read More_
>"Its owner, a nurse living on the Upper West Side, flagged a worker at the Metropolitan Museum’s information desk. “Listen, nobody calls me back. I _...Read More_
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63.8
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63.8
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63.8
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63.8
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63.8
"Every year, this column offers commentary on dozens of museum shows globally. Though some are best forgotten, others continue to stimulate and inspire long after works have been boxed and shipped off. As the year comes to a close, here are _...Read More_
"Every year, this column offers commentary on dozens of museum shows globally. Though some are best forgotten, others continue to stimulate and inspire long after works have been boxed and shipped off. As the year comes to a close, here are _...Read More_
"Every year, this column offers commentary on dozens of museum shows globally. Though some are best forgotten, others continue to stimulate and inspire long after works have been boxed and shipped off. As the year comes to a close, here are _...Read More_
"Every year, this column offers commentary on dozens of museum shows globally. Though some are best forgotten, others continue to stimulate and inspire long after works have been boxed and shipped off. As the year comes to a close, here are _...Read More_
"Every year, this column offers commentary on dozens of museum shows globally. Though some are best forgotten, others continue to stimulate and inspire long after works have been boxed and shipped off. As the year comes to a close, here are _...Read More_
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111
"What key artworks can tell us about the museum’s historical biases and what’s next for the New York institution" This year, New York’s Metropolitan Museum of Art turned 150. It might have been cause for celebration, were it not for _...Read More_
"What key artworks can tell us about the museum’s historical biases and what’s next for the New York institution" This year, New York’s Metropolitan Museum of Art turned 150. It might have been cause for celebration, were it not for _...Read More_
"What key artworks can tell us about the museum’s historical biases and what’s next for the New York institution" This year, New York’s Metropolitan Museum of Art turned 150. It might have been cause for celebration, were it not for _...Read More_
"What key artworks can tell us about the museum’s historical biases and what’s next for the New York institution" This year, New York’s Metropolitan Museum of Art turned 150. It might have been cause for celebration, were it not for _...Read More_
"What key artworks can tell us about the museum’s historical biases and what’s next for the New York institution" This year, New York’s Metropolitan Museum of Art turned 150. It might have been cause for celebration, were it not for _...Read More_
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What critics get wrong about the genre’s long-standing diversity problems
What critics get wrong about the genre’s long-standing diversity problems
What critics get wrong about the genre’s long-standing diversity problems
What critics get wrong about the genre’s long-standing diversity problems
What critics get wrong about the genre’s long-standing diversity problems
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99.9
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99.9
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99.9
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99.9
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99.9
"The panel by the renowned Black artist, part of his “Struggle” series, was last seen in 1960. But someone had a hunch where it was."
"The panel by the renowned Black artist, part of his “Struggle” series, was last seen in 1960. But someone had a hunch where it was."
"The panel by the renowned Black artist, part of his “Struggle” series, was last seen in 1960. But someone had a hunch where it was."
"The panel by the renowned Black artist, part of his “Struggle” series, was last seen in 1960. But someone had a hunch where it was."
"The panel by the renowned Black artist, part of his “Struggle” series, was last seen in 1960. But someone had a hunch where it was."
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0