Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
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© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
40681 Members
We'll be adding more communities soon!
© 2020 Relevant Protocols Inc.
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"The articles written about the mildly transgressive Manhattan micro-scene known as Dimes Square are themselves evidence of a cultural drought; chroniclers of the zeitgeist are desperate for new fodder."
"The articles written about the mildly transgressive Manhattan micro-scene known as Dimes Square are themselves evidence of a cultural drought; chroniclers of the zeitgeist are desperate for new fodder."
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"Women, more than men, tend to feel stultified by long-term exclusivity—despite having been taught that they were designed for it."
"Women, more than men, tend to feel stultified by long-term exclusivity—despite having been taught that they were designed for it."
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>"In her new book, the philosopher Amia Srinivasan asks: “What would it take for sex really to be free?”"
>"In her new book, the philosopher Amia Srinivasan asks: “What would it take for sex really to be free?”"
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"Bernini’s “Apollo and Daphne” is a masterwork of sculpture that also reads as a powerful, disquieting depiction of unwanted pursuit and predation."
"Bernini’s “Apollo and Daphne” is a masterwork of sculpture that also reads as a powerful, disquieting depiction of unwanted pursuit and predation."
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“According to curator Valentina Peri and the theoretical strands that inform her practice, the Internet manifestly has an extraordinary influx on how we conceive, frame and construct our identity and confront ourselves with the external to _...Read More_
“According to curator Valentina Peri and the theoretical strands that inform her practice, the Internet manifestly has an extraordinary influx on how we conceive, frame and construct our identity and confront ourselves with the external to _...Read More_
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Rediscovering desire in a panopticon of virtual pleasures. Text by Dean Kissick _...Read More_
Rediscovering desire in a panopticon of virtual pleasures. Text by Dean Kissick _...Read More_
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It is obvious to the postmodernist that the only way to move forward as a species is to annihilate the existential sexual differences between us, as we are seemingly incapable of addressing the inequalities between human beings on the _...Read More_
It is obvious to the postmodernist that the only way to move forward as a species is to annihilate the existential sexual differences between us, as we are seemingly incapable of addressing the inequalities between human beings on the _...Read More_
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On Leonora Carrington, Unica Zürn, and leaving musehood behind
On Leonora Carrington, Unica Zürn, and leaving musehood behind
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“Cajsa von Zeipel’s figures are glitched simulacra of the human form. Von Zeipel uses silicone – a material that is common in implants, sex toys, and kitchen equipment – to bring her sculptures to life. Beneath the silicone there are parts _...Read More_
“Cajsa von Zeipel’s figures are glitched simulacra of the human form. Von Zeipel uses silicone – a material that is common in implants, sex toys, and kitchen equipment – to bring her sculptures to life. Beneath the silicone there are parts _...Read More_
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RADIATION, FILM, TRAUMA, THE ELEMENTS: to expose is a one-way verb. The nuclear reactor knows nothing of the bodies it degrades. Light is invulnerable to the celluloid it stains. The man who exposes himself does so without empathy. There’s _...Read More_
RADIATION, FILM, TRAUMA, THE ELEMENTS: to expose is a one-way verb. The nuclear reactor knows nothing of the bodies it degrades. Light is invulnerable to the celluloid it stains. The man who exposes himself does so without empathy. There’s _...Read More_