Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
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© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
40681 Members
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© 2020 Relevant Protocols Inc.
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"On repeated trips to Venice I had noticed, alongside certain changes within the cultural landscape in London and Europe, that there seemed to be an increased presence of Asian artists (or artists working in relation to Asia). Then, in 2017, the African Art in Venice Forum was launched. I attended that for all three days, and became interested in the way that they had managed to pull out different thematic strands, and to provide a space in which to explore them in more detail. Some of those themes – that come out in relation to cultural relations and representation – get a bit lost in the louder narratives of nation that spring up during the Biennale. So I began to wonder what shape an Asia Forum might take and approached Ming [Tiampo], Hammad [Nasar] and John [Tain] to start a conversation."
"On repeated trips to Venice I had noticed, alongside certain changes within the cultural landscape in London and Europe, that there seemed to be an increased presence of Asian artists (or artists working in relation to Asia). Then, in 2017, the African Art in Venice Forum was launched. I attended that for all three days, and became interested in the way that they had managed to pull out different thematic strands, and to provide a space in which to explore them in more detail. Some of those themes – that come out in relation to cultural relations and representation – get a bit lost in the louder narratives of nation that spring up during the Biennale. So I began to wonder what shape an Asia Forum might take and approached Ming [Tiampo], Hammad [Nasar] and John [Tain] to start a conversation."
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