La haine means “hatred,” an appropriate title. Kassovitz’s boiling, furious film caused an uproar and angered Paris police. Over the span of 24 hours in a working-class French neighborhood, the growing resentments and frustration with life shared by three young men begin to boil over into action. La haine channels French revolutionary history into a modern tale of disillusionment and revolt. Shot in black and white and featuring a volcanic performance from Vincent Cassel, La haine has become more relevant than ever in its portrayal of police brutality, government neglect, and the rage of the working poor.