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A space for sharing and discussing news related to global current events, technology, and society.
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© 2020 Relevant Protocols Inc.
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"EVERYONE AT THE DINNER given by Balmain for Cécile B. Evans, held on the candlelit stage of an otherwise empty 2,200-seat concert hall after the “unveiling” of Evans’s new video piece, A Screen Test for an Adaptation of Giselle, seemed to have the same question: “Who are these people?” We asked an acquaintance who asked her date who asked a stranger and got an answer: Anyone in Miami who spent more than $50,000 at the Balmain store this year. AT DAVID ZWIRNER’S ANNUAL Soho Beach House party, a charming pair of art advisors—Suzanne Modica and Ashley Carr—introduced us to one of their clients. Richard Mumby is thirty-five and handsome and calls us darling, nonsexually. He has good taste. He had purchased that week, for instance, a series of five Elle Pérez photographs, works by Richard Hawkins and Frances Stark, and he was about to get a Martin Wong. When we asked the price of the Stark, saying we’re curious because her work seems underrated, he said $32,000. That’s cheap, we replied as if we had a savings account. Modica winced. “As art advisors,” she said, “we use the word reasonable.”
"EVERYONE AT THE DINNER given by Balmain for Cécile B. Evans, held on the candlelit stage of an otherwise empty 2,200-seat concert hall after the “unveiling” of Evans’s new video piece, A Screen Test for an Adaptation of Giselle, seemed to have the same question: “Who are these people?” We asked an acquaintance who asked her date who asked a stranger and got an answer: Anyone in Miami who spent more than $50,000 at the Balmain store this year. AT DAVID ZWIRNER’S ANNUAL Soho Beach House party, a charming pair of art advisors—Suzanne Modica and Ashley Carr—introduced us to one of their clients. Richard Mumby is thirty-five and handsome and calls us darling, nonsexually. He has good taste. He had purchased that week, for instance, a series of five Elle Pérez photographs, works by Richard Hawkins and Frances Stark, and he was about to get a Martin Wong. When we asked the price of the Stark, saying we’re curious because her work seems underrated, he said $32,000. That’s cheap, we replied as if we had a savings account. Modica winced. “As art advisors,” she said, “we use the word reasonable.”
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