Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
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© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
40652 Members
We'll be adding more communities soon!
© 2020 Relevant Protocols Inc.
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"Perhaps you know of Mira Schor as an alumna of the legendary “Womanhouse” exhibition of 1972, a coeditor of the journal M/E/A/N/I/N/G (1986–96, 2002–16), and the author of Wet: On Painting, Feminism, and Art Culture (1997) and A Decade of Negative Thinking: Essays on Art, Politics, and Daily Life (2009). Or perhaps you recognize her from Twitter, where she regularly weighs in on current events and retweets various left-leaning blue-check accounts. “Tipping Point,” a selection of works Schor made over the course of the Trump presidency, reflected the difficulty in reconciling the discrepant"
"Perhaps you know of Mira Schor as an alumna of the legendary “Womanhouse” exhibition of 1972, a coeditor of the journal M/E/A/N/I/N/G (1986–96, 2002–16), and the author of Wet: On Painting, Feminism, and Art Culture (1997) and A Decade of Negative Thinking: Essays on Art, Politics, and Daily Life (2009). Or perhaps you recognize her from Twitter, where she regularly weighs in on current events and retweets various left-leaning blue-check accounts. “Tipping Point,” a selection of works Schor made over the course of the Trump presidency, reflected the difficulty in reconciling the discrepant"
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