Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
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© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
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© 2020 Relevant Protocols Inc.
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>"Our conversation began as a requiem for Afghanistan—its violent unwinding corresponds horrifically with the name of Mariam Ghani’s film. What We Left Unfinished (2019) is a feature-length documentary on five unedited Afghan films made during the country’s Communist era of state-funded cinema (1978–991), a time deluged with coups, conflict, and censorship. Ghani’s film attests firstly and mostly to the significance and precarity of cultural workers in Afghanistan—their voices were recently gathered in an Open Letter from Arts for Afghanistan—and the Afghan histories and imaginaries that depend"
>"Our conversation began as a requiem for Afghanistan—its violent unwinding corresponds horrifically with the name of Mariam Ghani’s film. What We Left Unfinished (2019) is a feature-length documentary on five unedited Afghan films made during the country’s Communist era of state-funded cinema (1978–991), a time deluged with coups, conflict, and censorship. Ghani’s film attests firstly and mostly to the significance and precarity of cultural workers in Afghanistan—their voices were recently gathered in an Open Letter from Arts for Afghanistan—and the Afghan histories and imaginaries that depend"
"Our conversation began as a requiem for Afghanistan—its violent unwinding corresponds horrifically with the name of Mariam Ghani’s film. What We Left Unfinished (2019) is a feature-length documentary on five unedited Afghan films made during the country’s Communist era of state-funded cinema (1978–991), a time deluged with coups, conflict, and censorship. Ghani’s film attests firstly and mostly to the significance and precarity of cultural workers in Afghanistan—their voices were recently gathered in an Open Letter from Arts for Afghanistan—and the Afghan histories and imaginaries that depend"
"Our conversation began as a requiem for Afghanistan—its violent unwinding corresponds horrifically with the name of Mariam Ghani’s film. What We Left Unfinished (2019) is a feature-length documentary on five unedited Afghan films made during the country’s Communist era of state-funded cinema (1978–991), a time deluged with coups, conflict, and censorship. Ghani’s film attests firstly and mostly to the significance and precarity of cultural workers in Afghanistan—their voices were recently gathered in an Open Letter from Arts for Afghanistan—and the Afghan histories and imaginaries that depend"
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