What Beatriz Colomina says plays a major role in my work. In this essay she speaks about a system which is used for placing women in the interior of Adolf Loos architecture. It affected me a lot, consciously and unconsciously. Especially by approaching how we can read architectural language from the position of emancipated women. In all of Martin Gerlach’s period photos (the main photographer of Adolf Loos) clear spaces appear with absolutely no evidence of women’s presence in the interior."I have to say that my first look at those photos didn’t leave much of an effect on me. I was not particularly disturbed by this scenario..."