>"Curated by Alex Gartenfeld and Stephanie SeidelArrangements of Allan McCollum’s iconic Plaster Surrogates, 1982–, occupy museum walls around the world, serving as exemplars of authorial and institutional critique. Yet as this survey of five decades of work will make clear, the artist’s practice now demands a more expansive interpretation. Alongside pieces such as Perfect Vehicles, 1985–, and Over Ten Thousand Individual Works, 1987–, deadpan ideational proxies and imitations of mass-produced abstraction, the show will feature McCollum’s recent collaborations with regional communities and historical"