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Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
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In an interview with Artnews, Herndon admits that she’s stumped by this problem: “ ‘What is an individual’s voice?’ and ‘how do you copyright it?’ are very sticky questions. I don’t have the answers, but … our society isn’t structured to give everyone credit, let alone pay them.” …While projects seeking fairer compensation for musicians are necessary bandages that alleviate symptoms while we try to get rid of the underlying problems of capitalism, white supremacy, and the like, they are nevertheless part of that problem. In capitalist societies, work transforms dependence into exploitation.But the idea of “cash” as an alternative can help us imagine ways of forming communities of all sorts that organize dependencies more justly.
In an interview with Artnews, Herndon admits that she’s stumped by this problem: “ ‘What is an individual’s voice?’ and ‘how do you copyright it?’ are very sticky questions. I don’t have the answers, but … our society isn’t structured to give everyone credit, let alone pay them.” …While projects seeking fairer compensation for musicians are necessary bandages that alleviate symptoms while we try to get rid of the underlying problems of capitalism, white supremacy, and the like, they are nevertheless part of that problem. In capitalist societies, work transforms dependence into exploitation.But the idea of “cash” as an alternative can help us imagine ways of forming communities of all sorts that organize dependencies more justly.
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