Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
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© 2020 Relevant Protocols Inc.
Bringing context and critique to the cultural moment. Deep dives, reviews, and debate encouraged.
40675 Members
We'll be adding more communities soon!
© 2020 Relevant Protocols Inc.
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“Wolfson does not refuse all received ideas about art. He repeats a handful of platitudes with apparent earnestness: that artists have nothing but their own intuition, that worrying about offending others prevents the creation of real art, that audiences should be grateful for the access they are given to artists’ consciousness, and that the kind of judgment-free letting go it takes to view his works is directly analogous to the personal peace he has won through daily meditation. But it is hard to take him seriously – does he mean it when he writes (in this magazine) that reading Jeff Koons quotes ‘opened [him] up to a state of non-judgement’? Like anyone who has gotten rich by hiring others with technical expertise, he credits his success to personal genius. But above all, he believes in form. Artists and critics preoccupied with transgression love to repeat the word ‘form!’ to distract you from their reliance on visceral content.”
“Wolfson does not refuse all received ideas about art. He repeats a handful of platitudes with apparent earnestness: that artists have nothing but their own intuition, that worrying about offending others prevents the creation of real art, that audiences should be grateful for the access they are given to artists’ consciousness, and that the kind of judgment-free letting go it takes to view his works is directly analogous to the personal peace he has won through daily meditation. But it is hard to take him seriously – does he mean it when he writes (in this magazine) that reading Jeff Koons quotes ‘opened [him] up to a state of non-judgement’? Like anyone who has gotten rich by hiring others with technical expertise, he credits his success to personal genius. But above all, he believes in form. Artists and critics preoccupied with transgression love to repeat the word ‘form!’ to distract you from their reliance on visceral content.”
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