As equipment for life and art, An-My Lê’s exemplary work suggested to me that one way forward might be back—into the tangles of memory and history, onto the contested terrain of the past.
As equipment for life and art, An-My Lê’s exemplary work suggested to me that one way forward might be back—into the tangles of memory and history, onto the contested terrain of the past.
Russian refugees influenced Istanbul’s cultural life from the 1920s until the forced Turkification of the 1950s. The Sevastopol-born sculptor Iraida Barry’s life in exile and love for the city is a piece of this history. However, admiring _...Read More_
Russian refugees influenced Istanbul’s cultural life from the 1920s until the forced Turkification of the 1950s. The Sevastopol-born sculptor Iraida Barry’s life in exile and love for the city is a piece of this history. However, admiring _...Read More_