"Looking back on the 110-year history of Art in America, the editors have unearthed some surprises, like this article written for the Winter 1962 issue by Edward R. Murrow, who had left his career in broadcast journalism to become director _...Read More_

"Performa, the internationally acclaimed organization dedicated to live interdisciplinary performance by visual artists and the Hartwig Art Foundation, which is developing a new museum for contemporary art in Amsterdam, announce a major _...Read More_

>"A California librarian assembles forgotten objects in a heartwarming digital archive"

>"From the archive: extraordinary portraits of literary artists."

>"From the magazine’s archive: a selection of pieces about adolescence and teen-age yearning."

>"Focus on the long term. Don’t try to replace your ex. Plus three more cures for unhealthy romantic habits."

>"From the archive: a selection of pieces about nominated productions and the artists who created them."

"From the magazine’s archive: a selection of culture pieces from the early two-thousands."

"Scholars, filmmakers, and curators all use eBay as a vital resource for queer history, but the site has recently banned the sale of “sexually oriented materials.”"

"The books, documents, publications and ephemeral materials should be felt and understood in their first—if not primary—instance as apparitions or epiphanies. I would say above all _...Read More_

>"It’s too soon to know which images will become emblematic of the Black Lives Matter demonstrations, but previous movements have shown the dangers of adhering to a singular narrative."

>"From The New Yorker’s archive: stories that remind us of the charms—and contradictions—of the season."

"The relaunch of the ArtBase marks a major milestone for our own archive, but also for a Linked Open Data ecosystem for digital cultural heritage. Rhizome’s goal in all of our research is not to position the ArtBase as some kind of _...Read More_

>"Every relationship is long-distance now—and that’s a good thing."

A review of Womanifesto II on display recounts Ito's Me Being Me (1998/1999), a follow up to Self-Portrait performed two years later. As in 1997, she 'donned a transparent rubber outfit,' but this time 'performed "oral sex" on a rubber _...Read More_