"The brief history of art on the blockchain has witnessed the emergence of the artist as a currency. Projects like Bitchcoin (2015) by Sarah Meyohas and Jonas Lund’s Jonas Lund Token (JLT) (2018) address the question of how art is valued and how artists might distribute their agency in Web3. Here, curators Anika Meier and Hans Ulrich Obrist ask the artists how they imagine new economies and their own place in art history."