Between 1957 and 1972, the Situationist International (S.I.) first projected a “revolutionary front in culture” and then shifted its propaganda to the political field. Employing ludic methods, the movement offered a fundamental critique of the spectacle of consumerist society. In an age in which the principles of the market economy are increasingly permeating all parts of life, The Most Dangerous Game re-envisions the years in which the S.I. articulated its critique.